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安徽亳州圣樺錦江天璽銷售中心丨天光，云影，共徘徊
溫馨提示：原創(chuàng)作品第一時(shí)間備案，豎起版權(quán)保護(hù)大旗!
古典時(shí)尚兩相宜
DA慎恩團(tuán)隊(duì)對(duì)于所有項(xiàng)目的把控與設(shè)計(jì)，率先思考的一定是如何讓空間呈現(xiàn)貼合當(dāng)?shù)氐娜宋睦砟钆c風(fēng)俗習(xí)慣，創(chuàng)作時(shí)所需的材料也會(huì)考慮就地取材，充分表達(dá)出對(duì)本地文化氛圍的感知與體驗(yàn)。
Classic fashion
As for the control and design of all projects, DA Shen’en team takes the lead in thinking about how to make the space present the local cultural concepts and customs. The materials needed in the creation will also take local materials into account to fully express the perception and experience of the local cultural atmosphere.
該項(xiàng)目位于安徽亳州，DA慎恩設(shè)計(jì)團(tuán)隊(duì)以致敬古徽派藝術(shù)為初心，貼合挑檐狀的建筑外觀，來(lái)溝通城市生活與古徽派的距離，并將自然的風(fēng)雅全部融入其中。
This project located in Bozhou, Anhui Province. The design team of DA Shen’en takes the ancient Huizhou art as the first intention, fits the cornice like architectural appearance, communicates the distance between urban life and the ancient Huizhou school, and integrates the natural elegance into it.
進(jìn)入大廳，敲銅工藝的接待區(qū)靜靜佇立，它是空間內(nèi)部特色的起筆，是以徽派建筑的青磚綠瓦為依托，用現(xiàn)代抽象的設(shè)計(jì)手法進(jìn)行詮釋。
Entering the hall, the reception area of copper knocking technology stands quietly. It is the starting point of the internal characteristics of the space. It is based on the green bricks and tiles of Hui style architecture, and annotated with modern abstract design techniques.
彩色玻璃磚燒制而成的墻面，造型呈現(xiàn)屋檐起伏的磚瓦效果，表達(dá)出“檐平脊正”的藝術(shù)特點(diǎn)。外加燈光烘托出歷史感和文藝感，整個(gè)接待區(qū)背景的造型既不失中國(guó)風(fēng)的典雅，又有現(xiàn)代都市的簡(jiǎn)約。
The walls made of colored glass bricks show the brick and tile effect of undulating eaves and express the artistic characteristics of "flat eaves and upright ridges". In addition, the lighting highlights the sense of history and literature and art. The whole reception area is not only elegant in Chinese style, but also simple in modern cities.
直接而干練的線條，自由放松的尺度，是對(duì)應(yīng)空間最貼切的詮釋。DA慎恩團(tuán)隊(duì)這樣的呈現(xiàn)使空間隔而不斷，空間縱深得到延續(xù)，氣魄和視覺(jué)縱深得到保留。
Direct and concise lines, free and relaxed scale, are the most appropriate interpretation of the corresponding space. The presentation of Da Shenen team keeps the space apart, the depth of space continues, and the spirit and visual depth are preserved.
“小橋流水桃源家，粉墻黛瓦馬頭墻”它類似馬頭墻的抽象外形設(shè)計(jì)給人無(wú)限遐想，白墻青瓦，明朗而雅素。
"Small bridge, flowing water, Taoyuan home, whitewall, Daiwa and horse head wall" it's similar to the abstract shape design of horse head wall, giving people unlimited reverie, white wall, blue tile, clear and elegant.
深入骨髓的徽派烙印
在展示中心這個(gè)古典與現(xiàn)代融合的空間中，DA慎恩團(tuán)隊(duì)非常巧妙地構(gòu)思出沙盤下方的挑檐圖形，與上方木質(zhì)格柵材質(zhì)的挑檐造型天花和懸掛的瓦片狀藝術(shù)燈相映襯，燈光上場(chǎng)，仿佛置身剔透的琉璃宮殿之中，即使在充滿現(xiàn)代設(shè)計(jì)感的環(huán)境下也能體會(huì)到徽派風(fēng)格帶來(lái)的獨(dú)特美感。
The brand of Hui style
In the exhibition center, a space of classical and modern integration, Da shen'en's team ingeniously conceived the cornice figure under the sand table, which was set off with the cornice shape ceiling made of wood grid material and the tile like art lamp hung above. The light came on, as if in a transparent glass palace. Even in the environment full of modern design sense, they could experience the Huizhou style The unique beauty of.
綠意成蔭，山石呼應(yīng)
沙盤區(qū)的隔壁就是大堂休息區(qū)和茶吧了，長(zhǎng)條石臺(tái)，磚瓦墻面，飾以徽派建筑水墨畫的背景墻，又有燈帶嵌入周圍，光線氤氳，使陳設(shè)、花木融為一體，頗得園林之趣。
Green is the shade, and rocks echo
Next to the sand table area is the lobby rest area and the tea bar. The long stone platform, brick and tile walls, the background wall decorated with Hui Style Architectural ink painting, and the light belt embedded in the surrounding area, with dense light, make the furnishings, flowers and trees integrated, which is quite interesting in the garden.
在配色上，淡雅的色彩描繪安靜嫻雅的環(huán)境氣氛，石材的質(zhì)感舒適而明快、翠綠的細(xì)竹是東方印象的細(xì)致趣味，加以現(xiàn)代簡(jiǎn)約風(fēng)格的輕微點(diǎn)綴，讓空間在典雅的意境中又提煉出一絲絲的當(dāng)代氣質(zhì)。與空間的契合，不溫不燥、不多不少、恰當(dāng)剛好。
In terms of color matching, the light and elegant colors describe the quiet and elegant environment atmosphere. The comfortable and bright texture of stone and the green bamboo are the delicate taste of the Oriental impression. With the light ornament of modern simple style, the space can be refined into a silk of contemporary temperament in the elegant artistic conception. Fit with space, not warm, not dry, not many, just right.
穿過(guò)層層掩映的竹林，水吧臺(tái)出現(xiàn)在視野之內(nèi)，它的設(shè)計(jì)感沿襲了整個(gè)空間的雅致與平和，與充滿古韻的腔調(diào)相融，空間與色彩之間、形制之內(nèi)無(wú)一不在提示著過(guò)去、現(xiàn)在與未來(lái)，揭示了徽派人文藝術(shù)的演變與糅合。
Through the layers of bamboo forest, the water bar platform appears in the field of vision. Its design sense follows the elegance and peace of the whole space, and blends with the tone full of ancient charm. Between the space and color, and within the form, there is no exception to remind the past, the present and the future, revealing the evolution and blending of the art of the Hui people.
回歸徽派與自然的意蘊(yùn)內(nèi)核
整個(gè)空間的靈魂在此體現(xiàn)得淋漓盡致，半戶外的洽談空間，與古箏臺(tái)，游玩區(qū)，圖書館相結(jié)合。大面積地運(yùn)用玻璃幕墻，天井，將室外的自然光層層過(guò)濾，引入最柔和的光線撒向室內(nèi)。DA慎恩設(shè)計(jì)團(tuán)隊(duì)一反常見的封閉式場(chǎng)所，將園林藝術(shù)與現(xiàn)代藝術(shù)相結(jié)合，用開闊寫意的思路，將整個(gè)場(chǎng)景打造成一個(gè)內(nèi)外交織，既具現(xiàn)代簡(jiǎn)約氣息又不失古典風(fēng)范的敘事空間，身處其中，仿佛置身青山綠水之間。
Return to Hui school and the essence of nature
The soul of the whole space is reflected incisively and vividly here. The semi outdoor negotiation space is combined with zither platform, play area and library. A large area of glass curtain walls and patios are used to filter the outdoor natural light layer by layer and introduce the softest light to the interior. DA Shen’en design team is an anti common closed place, combining garden art with modern art, and using the open and freehand thinking to create the whole scene into an internal and external interwoven narrative space with both modern simplicity and classic style. It seems to be in between mountains and rivers.
同時(shí)DA慎恩團(tuán)隊(duì)源于徽派藝術(shù)及園林藝術(shù)的思考為我們?cè)忈屃?，一個(gè)令人心醉的空間應(yīng)是通過(guò)絕妙的設(shè)計(jì)手法因材施為，依形就勢(shì)，摒棄刻意人為雕鑿的痕跡，令空間渾然天成。
At the same time, the thinking of DA Shen’en team from the Hui style art and garden art explains for us that a fascinating space should be based on excellent design techniques and materials, according to the shape of the situation, abandoning the traces of deliberate artificial carving, making the space natural.
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